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While XOGender encompasses all individuals that are described above, there exist subcultures and microgenders pertaining to the difference eras of Abel's professional career. Keep in mind that members of the XOGender community find their gender to be an abstract concept that cannot be described through languages and is rather explained through themes and abstract concepts best represented by the music. These microgenders do not always conform to these tones and often defy them, they are relevant to the gender identity, yet not all important. These are merely the best attempts to describe one's interal characteristics and personality traits pertaining to gender through words. The most identified microgenders are: |
While XOGender encompasses all individuals that are described above, there exist subcultures and microgenders pertaining to the difference eras of Abel's professional career. Keep in mind that members of the XOGender community find their gender to be an abstract concept that cannot be described through languages and is rather explained through themes and abstract concepts best represented by the music. These microgenders do not always conform to these tones and often defy them, they are relevant to the gender identity, yet not all important. These are merely the best attempts to describe one's interal characteristics and personality traits pertaining to gender through words. The most identified microgenders are:- |
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* Triologender: This is a microgender for XOGender finding their gender identity and gender characterised by the compilation of mixtapes released by The Weeknd under the title of "Trilogy", some indivisauls might also identify as "HOBGender", "Thugender", and "Echogender" in respect to the 3 mixtapes compiled i this album. This identify revolves around themes of a dark moody atmospheric melancholy, substance abuse, as well as hypersexuality. |
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*Kissgender: This is a microgender for XOGender individuals finding their gender identity best characterised by the themes of grit, loss, horror, fame, losing oneself, and love, used as the underlying tones of the Weeknds first studio album, and second album overall, titled "Kiss Land". |
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*BBTMGender: This microgender is characterised by the feelings of loneliness shrouded in independence, fame, mindless behaviour, recklessness, and romance. These themes being the tones upon which The Weeknd built the abstract musical genius of his third album, "Beauty Behind The Madness". |
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*Stargender: XOGenders identifying as stargender often refer to themselves as "Starboy(s)" and "Stargirl(s)", throwaway terms used in Abels 2016 musical venture into synthwave, "Starboy", while not entirely characterised by the genre, it drew influence from the works of hypangenic pop artists as well as including features from legendary french house electronic duo, "Daft Punk". Starpeople (The gender neutral term used by Starboys, Stargirls, and nonconforming members of the community) feel that their gender indentity is best characterised by a return to electronic roots, and themes of dysphoria fronted with pride, confidence, aesthetic, and vigour. This group collectively makes up second most identified microgender of the XOGender community. |
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*Melancogender: The third most identified as microgender comprises of individuals finding the nature of their gender indentity and gender characterised by tones of abandonment, grit, loneliness, and regret. These individuals sometimes express their gender through dark red and moody atmospheric tones as in the cover of The Weeknd's shortest musical project, "My Dear Melancholy," |
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*Aftergender/AHGender: This is the largest demographic of the XOGender community, representing their gender through the tones of atmospheric glamour and grandeur with underlying tones of dark moody blues and substance abuse. This community finds its roots in The Weeknd's "After Hours", an excellently balanced, wonderfully produced, and skillfully mixed return to roots album carrying over both tones of moody R&B as well as overconfidence, hypersexuality, recklessness, and abuse. |
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Revision as of 10:07, 24 March 2021
XOGender is a Xenogender that encompasses all individuals who don't find their gender identity representable through terminology conventionally used to describe gender and gender identity, such as "masculine" or "feminine". Individuals who identify as XOGender find their gender and gender identity to be better represented through abstract and artistic concepts such as music, more specifically the music of the Canadian R&B Hip-Hop artist Abel Makkonen Tesfaye, professionally known as "The Weeknd". The Weeknd's music centres around a plethora of themes including hypersexuality, melancholy, addictive tendencies and substance abuse, as well as hypomania, recklessness, glamour, and grandeur. These themes can be used to describe the core ideals that characterise people identifying as XOGender.
The origin of Abel's professional alias is yet characteristion of an abstract concept to describe one's sexual orientation and gender identity, specifically those relating to carelessness and reckless. Abel left his home and old life behind at the age of 17, dropping out of high school and getting into a car with his friends to what he describes as "a look of total disappointment" from his mother. This weekend as Abel describes it, never ended, leading to him using the alias of "The Weeknd" for his professional career following this event. This grandeur and recklessness is often used by XOGender individuals to describe the nature of their gender as well as their preferred expression of it.
Most (not all) XOGender individuals prefer to be referred to as "XO(s)" while brought up in a conversation relating to their gender and indentity. Others might find themselves more comfortable with not being identified with umbrella terms.
While XOGender encompasses all individuals that are described above, there exist subcultures and microgenders pertaining to the difference eras of Abel's professional career. Keep in mind that members of the XOGender community find their gender to be an abstract concept that cannot be described through languages and is rather explained through themes and abstract concepts best represented by the music. These microgenders do not always conform to these tones and often defy them, they are relevant to the gender identity, yet not all important. These are merely the best attempts to describe one's interal characteristics and personality traits pertaining to gender through words. The most identified microgenders are:-
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